Deadline Hollywood got a scoop today that there is a separate John Hughes tribute being planned for this year's Oscars apart from the usual name and picture as part of a collage thing that the Oscars usually do.
This is all fine and dandy and touching and all that stuff because, as I wrote last week when I posted about Hughes, his films had an enormous impact and his death came suddenly and without warning. However, despite his impact, I'm not so sure Hughes was good enough a filmmaker to deserve his own separate tribute, especially when Robert Altman, Heath Ledger or Eric Rohmer, just to use random examples, only got the in memoriam treatment come Oscar time.
I understand that some of the Oscar writers and producers and both hosts Steve Martin and Alec Baldwin worked with Hughes before, but I don't know. This whole thing reeks of desperation: finding any means necessary to up Oscar ratings.
It also sets a strange precedent for the future of Oscar telecasts by opening up the question: at what point is someone special enough to deserve their own separate tribute after death and just who decides who meets the criteria?
Wednesday, February 17, 2010
The John Hughes Tribute
Deadline Hollywood got a scoop today that there is a separate John Hughes tribute being planned for this year's Oscars apart from the usual name and picture as part of a collage thing that the Oscars usually do.
This is all fine and dandy and touching and all that stuff because, as I wrote last week when I posted about Hughes, his films had an enormous impact and his death came suddenly and without warning. However, despite his impact, I'm not so sure Hughes was good enough a filmmaker to deserve his own separate tribute, especially when Robert Altman, Heath Ledger or Eric Rohmer, just to use random examples, only got the in memoriam treatment come Oscar time.
I understand that some of the Oscar writers and producers and both hosts Steve Martin and Alec Baldwin worked with Hughes before, but I don't know. This whole thing reeks of desperation: finding any means necessary to up Oscar ratings.
It also sets a strange precedent for the future of Oscar telecasts by opening up the question: at what point is someone special enough to deserve their own separate tribute after death and just who decides who meets the criteria?
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